The educator is often faced with the dilemma of uncertainty.
The students are taught; they practice; they assimilate, reflect, and
build confidence in their sense of knowing how to communicate teaching
material effectively. But the question remains: Will the students do so
when faced with teaching in the “real” setting: Will they do what they
have been mentored and/or molded to do, or will they just fall into the
established education setup they have been employed in to follow—using
predetermined instructional methods, lesson plans, and
activities?
I believe that the educator has a responsibility to mentor
students to become advocates of reform when teaching/learning setups
need reform. For such students to be nurtured, the educator must plan
that students work on self-efficacy, self-confidence, and self-esteem.
Students need to feel secure with the material, be able to critically
think about it, plan how to apply it, reflect on it, and judge the
effectiveness of the whole exercise. These students need to be able to
meet the needs of their future students; these students need to be able
to teach, facilitate, and mentor their students’ learning. Simply put,
these students need to know how to apply the learning theories and
conditions at any moment in a teaching/learning setting to reach out and
touch each future student’s learning endeavor. This, I believe, is the
responsibility of the educator.
In a pre-post teacher development class, I used the information
processing theory, specifically the encoding and retrieval phases, as a
strategy to enhance students' learning and understanding of learning
theory application in the classroom. Combining the use of senses and
projecting the main learning theories in classroom processes, the 25
students created short films using Windows Movie Maker. The purpose of
the activity was to have the students show understanding of learning
theories by integrating how information in the environment gets coded
and used. The students were allowed to use all the senses in creating
their film, but they were not allowed, on tape, to verbally communicate,
explain, or interpret what the images portrayed for the viewers. The
results showed that the students understood the content and were able to
creatively communicate that. The planning, executing, and showing of
this confidence building hands-on technology exercise proved to be
rewarding for use in other learning quests.
As the educator, I wanted to focus on the way(s) students’
process information, how the processing leads to the response(s), and
how the students treat the information that comes their way. Partnering
with technology, I planned the project-based learning activity.
Aware of the teaching/learning assumptions that are drawn from
the theories taught in the course, I facilitated the students’ learning
journey. Each teaching of a learning theory was planned as an active
goal-directed practice, with performance measures as well as confidence
building, self-efficacy, and self-regulatory behavior opportunity.
Students were taught the five basic learning theories: cognitive
learning theory—information processing; cognitive developmental
theories; behavioral theories; social learning theory; learning and
motivation, and the developmental theories—moral, psychosexual, and
social. The students were given 45 hours of instruction.
The students were given the following instructions to follow in
creating the short films using Windows Movie Maker:
- Identify the key aspects of each learning theory. Use your
course readings and notes to help organize your work.
- Think “outside the box” as to how to portray the theories
through the use of your senses or images. Note: You are allowed to use
your senses in creating the film, but you are not allowed, on tape, to
verbally communicate, explain, or interpret what images you portray to
the viewers.
- Familiarize yourself with Windows Movie Maker. In class, I
showed you how to use it; now, you need to practice how to use it. Also,
please feel free to find tutorials on how to use Movie Maker on the
web.
- Plan film. Either select location(s) to cover video footage
or camera shots for a storyboard or find appropriate websites for an
educational Internet image search.
- Import the images, then drag and drop the needed ones in the
appropriate the storyboard or timeline frames to complete the
narration.
- Add the needed effects, music, transitions, and/or titles/credits to produce narrations.
- Tweak and edit work completely before saving or publishing the narration.
Two weeks later, the students showed their films in class.
Overall, the movies showed that the students had understood the
course content and that they were able to creatively communicate the
key issues in the learning theories. I noted that each movie was unique
and clearly showed how each student processed the course content. Their
motivation and determination were clearly observed as goal directed.
Each endeavor, I believe, was a learning outcome success. However, the
movies did depict differences in confidence, narration creativity,
context selection—ready-made images or created, and in storyboard and/or
timeline creativity. The differences had to do with the degrees of
self-confidence the students’ acquired in using the technology, which in
turn may have influenced their self-efficacy, reflection, and judgment.
All the students were eager to show their work.
In conclusion, the planning, executing, and showing of such a
confidence-building hands-on technology exercise proved to be rewarding
for use in learning quests. I recommend the use of Movie Maker as a
means to cross-check the meaning of
material, to assist students in their information processing endeavor,
and to help students self-regulate their learning.
Dr. Christine Sabieh, professor at Notre Dame
University, is the vice president of ASIACALL and the editor-in-chief of
the ASIACALL Online Journal, its fully peer-reviewed
international publication. An advocate of CALL and a certified online
instructor/trainer, she does education consultancy, workshops,
publishes, and participates in conferences on a national, regional, and
international level. She serves as a member of TESOL’s CALL-IS Steering
Committee (2012–2013). |