During Spring 2020, I taught SLS 312, Techniques in Second
Language Teaching: Reading and Writing. I have structured the syllabus
of this upper division undergraduate course into two modules, the first
focused on reading and the second on writing, with the same assignments
in each module. To fulfill general education requirements, SLS 312 also
includes instruction in, practice with, and feedback on oral
communication. Because the course is about teaching, students have
opportunities to practice teaching their peers, designed to be done in
face-to-face contexts where the “teachers” could interact in real time
with their “students” and receive feedback from observers. The teaching
activities: “Swap Shop” and “Microteaching” repeated in the two modules,
the Swap Shop midway through the module and Microteaching as a
capstone. In both activities, students in the class play the roles of
teachers, students, or observers, with teachers implementing learning
activities and students acting as learners of a particular age and
proficiency level.
Everything went smoothly during our reading module, with
students giving their all in the Swap Shop and Microteaching. Then, the
university shifted to an all-online format in March (Week 10 of our
16-week semester, the second week of the writing module) due to
COVID-19. Some students left Hawaiʻi and returned home to Japan or
California. A few kept their part-time jobs or were working “essential”
supermarket jobs. Others had no internet at home or limited technology
(e.g., smartphones but no laptop). In this reflection, I describe how I
migrated the teaching assignments online while maintaining the oral
communication focus and my students’ opportunities to learn how to
teach.
Technology access and comfort created one challenge for
students in demonstrating their teaching knowledge. I turned the Swap
Shop into an asynchronous Flipgrid demonstration in which students
recorded video presentations talking about writing-focused activities
they had chosen (rather than interactively teaching the activity). Their
classmates then watched the videos and completed short evaluations.
Some students had trouble with the platform, and others clearly did not
have time to rehearse, as they were cut off by the 5-minute limit I had
set. Nevertheless, they all created dynamic videos either of themselves
speaking or of a narrated slideshow.
I wanted the module-final microteaching, however, to remain as a
synchronous, interactive process, so that students would get one more
chance to receive feedback on their teaching. A few students indicated
in a survey that they had led discussions or taught over Zoom before,
but the majority stated that this was a new practice for them. I,
therefore, gave a mini-lecture on using Zoom tools for teaching
(demonstrating how to do breakout rooms, whiteboards, and screen
sharing) and provided links to how-to videos for teaching on Zoom. I
scheduled the microteaching over three class meetings, with five
“teachers'' giving 10-minute lessons per day. Volunteer “students”
turned on their video, while observers turned theirs off, so the
teachers could see their “students” during the lesson.
Though all my students conducted a lesson during their
microteaching, the process was not without some snags. For one, not all
students were tech-comfortable enough to enact their lessons smoothly:
Some could not screenshare, some screen shares were so tiny we couldn’t
see them, and some did not set their Google Docs settings for others to
edit so “students” could type. A few “teachers” noted that they did not
know how to see participants when screen sharing, so they couldn’t
monitor what their students were doing. Some of the teachers were not
thinking about online environments when designing lessons and materials,
so they produced plans that would have worked in a face-to-face context
where they could walk around the classroom and monitor students, but
they couldn’t do that online. Finally, some issues were connected to
being at home, including teaching from bed or wearing pajamas, poor
lighting (especially backlit video), and background noise from the
street or their families.
I now recognize some of the challenges of the online transition
as something other than just new technology. Many students had left
their dorms and moved back to their parents’ homes. While living on
campus, they had developed a professional adult identity, but among
their childhood surroundings, they may have felt conflicted about who
they were—teacher or child—and uncomfortable performing as adults in
front of their families. Their budding professionalism was dwarfed by
engrained home identities.
Nevertheless, my students reflected that the online
microteaching experience was valuable, even if their main takeaway was
that they preferred teaching in a classroom. Though I, too, prefer the
face-to-face option, I know that it is possible to have synchronous
microteaching in Techniques in Second Language Teaching: Reading and
Writing, and the students will still learn something about language
teaching.
Betsy Gilliland, associate professor in the
Department of Second Language Studies at the University of Hawaiʻi
Mānoa, researches second language writing, adolescent second language
literacy, language teacher professional development, and teacher
research. She has led groups of graduate students on study abroad
teaching practicums in Thailand and regularly teaches classes on action
research and qualitative research methods. She is coeditor of the Journal of Response to Writing and served as
chair of the TESOL International Second Language Writing Interest
Section 2019–2020. |