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The TV series Mr. Bean was first broadcast
in the United Kingdom over a decade ago and was extremely popular among a
variety of age groups. This was largely due to the fact that the humour
used in Mr. Bean can be understood and enjoyed by
almost anyone, anywhere in the world. In the series, the main character,
Mr. Bean, rarely speaks, preferring instead to rely on actions to
express himself. Together with the universally accepted humour, the
nonverbal communication is, in fact, probably one of the main reasons
why the series is so internationally well received. Lessons employing Mr. Bean can be tailored to focus on language
features such as the past tense and the past continuous, storytelling as
well as vocabulary practice, and so on. Hamada and Akimoto (2002)
mentioned that it is not easy for learners, especially those at a lower
level, to comprehend the language in films. However, using Mr.
Bean in a class activity can be a powerful tool to increase
learners’ motivation to communicate both orally and in written form.
This is mainly due to the short episodes, easy plots, and use of
everyday topics, and also because there is very little dialogue
(Epstein, 1999; Hamada & Akimoto, 2002; Osborne,
2005).
The following activity has been recently exploited in a class
of approximately 18 intermediate-level university students in their
early twenties. The 90-minute class was part of a 15-week general
English course, which met once a week. It was found to be quite
effective at increasing students’ motivation and enjoyment of the
class.
Preparation
It usually takes approximately 30 minutes to prepare a Mr. Bean video lesson plan, with the actual activity
time being anywhere from 30 minutes to the full class length (here 90
minutes). The materials to be prepared beforehand are a computer with
Wi-Fi capability to link to the online Mr. Bean
series as well as a projector and speakers, and a vocabulary worksheet
(see Appendix B). The teacher should preview some episodes of Mr. Bean and choose two consecutive scenes from one
of the stories. Each scene should be no longer than 10 minutes. The
following examples are suggested episodes, which have worked well in my
EFL classrooms: Mr. Bean - Street
Performance and Mr. Bean -
Library.
Procedure
Step 1
The teacher briefly explains the activity to the students. This
can take the form of written steps or a verbal explanation (for an
example of written steps, see Appendix A).
Step 2
Students are placed in pairs, and they decide who is A and B. Worksheets (see Appendix B) are handed out and partners
discuss the meaning of pertinent vocabulary. The teacher confirms the
students have understood the vocabulary.
Step 3
All As are asked to put their heads down on
their desks to refrain from watching the video, while Bs view the first of the two scenes. Bs are also encouraged to take notes for
communication later. After the scene is finished, the roles are
reversed. Bs then put their heads down while As watch the second scene and take notes. An
alternative would be to flip the class and have students watch the
episodes and make notes at home. They would then come to the next class
ready to describe what they had seen to their partners. If the teacher
wishes to carry out the activity in this way, scenes from two different
episodes should be considered instead of two different scenes in one
episode. This would reduce the possibility of students accidentally
watching each other’s assignment.
Step 4
After both As and Bs have
finished watching, the teacher should ask all As to
work together in pairs to verify their explanations of the scene, and Bs do likewise. This invites negotiation of meaning
and ensures that even the weaker students can then more confidently go
on to the next step, which is to explain what happened to Mr. Bean to a
classmate who has not watched the same material.
Step 5
As now pair up with Bs
and explain to their new partners what Mr. Bean did. Before they start
to communicate, the teacher can model one or two sentences from each
scene using the vocabulary sheet (see Appendix B). While learners are
explaining what happened to Mr. Bean, the teacher can walk around and
help with pronunciation, expressions, and choice of words for the
situation, and can generally give advice where necessary.
Step 6
After finishing their explanations, the students view both
scenes to see if they have fully understood their partner’s explanation.
After this, the teacher asks for several volunteers to present briefly
on the two parts of the story in front of the class. This enables the
teacher to give feedback and for classmates to ask questions about
grammar points, useful expressions, and so on. This will also improve
the students’ abilities to adopt a point or expression that they have
learned. Finally, all pairs should explain what happened to Mr. Bean to
their partners again, incorporating words and expressions learned from
the feedback activities. If the class has been flipped, there may be
time to add further steps such as role-plays or writing activities based
on what the students have seen. Alternatively, these next steps could
be continued in the next class.
Conclusion
In my experience, this activity is almost always more
successful than many other video-based language learning activities.
There seem to be two possible reasons for this. Primarily, the humour of
Mr. Bean appears to boost students’ motivation to communicate, but also
the Mr. Bean activity itself may inadvertently force learners to
recognise the gaps in their vocabulary, knowledge of grammar, ability to
explain an ongoing series of events, and so forth. Depending on the
student, these can be good motivating factors. As a final note, it is
worth remembering that although this activity actually lends itself
easily to lower level grammar points such as the simple past and past
continuous, it can be adapted to more advanced target grammar points and
communicative skills such as the subjunctive mood (e.g., “If I were Mr.
Bean, I would…”) as well as the writing in presentations.
References
Epstein, J. (1999). Mr. Bean in the ESL classroom, TESOL Journal. 8(3),
pp.41–42.
Hamada, M., & Akimoto, H. (2002). Effective
ways of using Mr. Bean for lower-level students. In M. Swanson &
D. McMurray (Eds.), PAC3 at JALT2001 Conference
Proceedings. (pp. 342–345). Tokyo, Japan: The Japan
Association for Language Teaching.
Gurakuqi, L. (2006, December 28). Mr. Bean - Library [Video
file]. Retrieved from https://www.youtube.com/watch?v=RyDY0hiMZy8
Mr. Bean. (2013, May 21). Mr. Bean - Street performance [Video
file]. Retrieved fromhttps://www.youtube.com/watch?v=BHkQ1Or2f2M
Osborne, P. (2005). Teaching English one to one: How
to teach one to one classes – for the professional English language
teacher. London, England: Modern English.
Appendix A
The following chart shows suggested instructions for this
activity. These can be prepared beforehand and briefly explained to the
class using an OHP or via PowerPoint slides.
(1) Make pairs and decide who is A and B.
(2) Check understanding of vocabulary in the handout.
(3) All As watch scene 1 and take notes.
(4) All Bs watch scene 2 and take notes.
(5) Students in group A partner with other As in pairs (and similarly Bs withBs) to confirm understanding of the different
scenes.
(6) One A pairs up with one B and they explain to each other “what happened to
Mr. Bean.”
(7) Volunteers make short presentations on “what happened to Mr. Bean” in front of the class.
(8) Again, students explain “what happened to Mr. Bean,” adding some ideas from the presentations.
(9) Optional: Further steps such as role-plays or writing activities can be added here. |
Appendix B
Mr. Bean Goes to the Library
Make pairs (two As and two Bs together) and, in your pairs, discuss the meaning
of the vocabulary for the two different scenes below.
A Students |
B Students |
Vocabulary |
Meaning |
Vocabulary |
Meaning |
Library |
|
Bookmark |
|
Noise |
|
Trace |
|
Librarian |
|
Sneezes |
|
Be quiet |
|
Rub out |
|
Walking carefully |
|
White-out |
|
Zipper |
|
Dry |
|
Hiccups |
|
Mess |
|
Hold his breath |
|
|
|
While you are watching your part of the Mr.
Bean episode, write down any key words and phrases for a later
communication activity.
Hidenori Kuwabara is an assistant professor at
Tokiwa University, Mito, Japan. He is interested in fear of negative
evaluation in foreign language anxiety, focus on form, task-based
language teaching, and second language acquisition. |